The lives we design versus the lives we live is a central dichotomy in the book, which tells of two siblings, just released from borstal and assigned to take up residence and apprenticeship with a couple in the English countryside. It’s the 1950s and reverberations of the war linger (one character lost an arm on duty), but life must go on. The couple’s project is a Utopian one: they wish to replenish their farmland so it can provide subsistence as they run their architecture practice/apprenticeship. Will the siblings, and the couple, succeed in improving their lives by design, or will their foundations prove too unstable? Magwitch-like criminals But, two years later, she is waiting on a railway station in the tranquil English countryside. It's the summer of 1952 and she and her younger brother Charlie have just been released from borstal. Another fresh start awaits - but can Joyce ever outrun the darkness of her past? Exhilarating, earthy, cerebral, frank and unflinching . . . A masterfully paced and suspenseful read Independent, on The Ecliptic

If you do nothing, you will be auto-enrolled in our premium digital monthly subscription plan and retain complete access for 65 € per month. Siblings Joyce and Charlie Savigear are 'rescued' from their Borstal sentences by married architects Arthur and Florence Mayhood, who run their architectural practice from a Surrey farm, which they plan to be self-sufficient - and they also seek a couple of apprentices to work with them, both on the farm and in their architectural practice. The Mayhoods are both keen followers of renowned architect Frank Lloyd Wright and his Taliesin community in Arizona and Arthur, having ended up in Borstal himself when he was a teenager, wishes to give Joyce and Charlie the chance to make something of themselves. Both have been selected following a drawing competition run in conjunction with the various Borstals by Arthur and Florence, where they both showed promise. An involving tale of revenge and responsibility, which, while it devastates, also tells us that new lives can be built among the ashes' FT

Retailers:

Benjamin Wood's tender fourth novel is about nature and idealism, but it also examines responsibility and the fragility of inspiration. New Statesman Benjamin Wood's The Young Accompliceis a treat for those who have followed his career ... Its greatest quality is its understanding of how characters exist only in relation to one another. Each pairing gives us a new angle, and added depth, with the clarity of a diamond. Wood's daring narrative decisions show he hasn't lost the old spark, but has just added to it with his new repertoire. What, it asks, are the opportunities available to someone who wants to leap clear of their wrong beginnings? John Self, The Critic Best Books of the Year 2022 Benjamin Wood is building a sublime body of work. This masterful, suspenseful novel is his best yet. It swallows you up. I love it. ​ David Whitehouse, author of About A Son Indeed, Wright’s words provide the preface: “To see a failure changed to a success – there is what I call Education.” As a portrait of youthful mistakes and adult blindness, The Young Accomplice is both tender and cutting; it is often subtle and occasionally thrilling. If, at times, the mechanics of plot carry us away from the more grounded human emotions Wood has cultivated, it is no great matter. Some lessons are just worth hearing. You may also opt to downgrade to Standard Digital, a robust journalistic offering that fulfils many user’s needs. Compare Standard and Premium Digital here.

Chris Power talks to Benjamin Wood about his novel The Young Accomplice. Set in 1952 the novel explores how Frank Lloyd Wright’s modernist vision inspired a married couple to set up their own architectural office in rural Surrey, where they offer a creative education and opportunity to orphaned siblings fresh out of borstal. A many-layered story of old-fashioned virtue and ambition, anaccount of the practicalities of “a campaign for a better life”. The Young Accomplice isfinely constructed, with themes of wrongdoing and innocence wovennaturally into the action. Its evocation of an ostensibly decorous postwar world full ofcontradictions is convincing throughout. Benjamin Wood’s attention to detail, his smoothwriting style and his strong beliefs give the novel an unusual dignity, in keeping with the eraof its setting. TLSA treat . . . Wood's daring narrative decisions show he hasn't lost the old spark, but has just added to it with his new repertoire. What, it asks, are the opportunities available to somoen who wants to leap clear of their wrong beginnings, when everything that hurts has already been cut? John Self, Critic, Fiction Books of the Year This satisfyingly old fashioned- feeling novel from a youngish author strikingly conveys its 1950s rural setting, and has a grim pull of foreboding . . . Benjamin Wood's perspective-shifting novel weaves elements of The Savigears were not the scrawny pair she [Florence] was expecting. Standing half a yard from one another in the fug of their own cigarettes, they had the restful attitude of two navvies on a lunch break. (p. 24)