Her abstract thoughts are represented by a chamber that morphs and mutates any three dimensional characters into 2D illustrations and simple shapes. Emotions run wild in the mind of a little girl who is uprooted from her peaceful life in the Midwest and forced to move to San Francisco in this Pixar adventure.

The inspiration from reality is what makes this Pixar film head over heels their best work of the decade. It is safe to say you should not watch these extras before watching the film, as there are a lot of spoilers. Obviously, she's going to grow up, and I shouldn't hold her back, but at the same time, as an adult, I know she has the rest of her life to be a grown-up, and childhood is increasingly short, so it should be embraced. And everyone needs to be on point for Riley’s big change of moving from Minnesota to California, a massive shifting of worlds given how her favorite memories involve playing hockey on the lake.Now, as Riley prepares to navigate a new city and attend a new school, her emotional headquarters becomes a hot bed of activity. Watch the outtakes, etc, with the credits, and see if you don't think they are better than the feature movie!

Subtitles: English Hard of Hearing, Italian DVD Regions: Region 2 Formats: Pal Aspect Ratio: Widescreen 1.Growing up can be a bumpy road, and it’s no exception for Riley, who is uprooted from her Midwest life when her father starts a new job in San Francisco. Inside Out arrives on three discs, two Blu-rays and one DVD, which are packed in a standard-width Blu-Ray keepcase with a dual-hubbed trays, inside an embossed slipcover repeating the cover art. What does seem a betrayal of the old Pixar, the one that didn't lecture us about anything but just made us laugh (oh, those shorts.

As Riley and her emotions struggle to adjust to a new life in San Francisco, turmoil ensues in Headquarters.It was way too adult for kids, and way too childish for adults; there were some great moments and one or two really fun scenes, but there were also long stretches of fairly bland, almost tedious, material which has NEVER been the case in previous offerings from this studio. Disgust (Mindy Kaling) does her best to trigger Riley’s gag reflex for broccoli with Anger (Lewis Black) at the ready for tantrum mode when dad won’t allow dessert if she doesn’t eat her dinner. That said, there are some clever ideas here; I liked the memory-balls and the whole notion of a library of old recollections.