Fat Boy Slim 'Punk To Funk'. Published by Polygram Music Publishing Ltd/K.P.M. Music Ltd. (P) 1996 Skint Records. (Licensed courtesy of Skint Records). Chemical Brothers '(The Best Part Of) Breaking Up'. Published by MCA Music. (P) 1996 Virgin Records Ltd. The Jimmy Castor Bunch 'It's Just Begun'. Published by Jimpire Music/BMI/UK: Minder Music Ltd. (P) 1972 BMG Entertainment. Licensed courtesy of BMG Special Marketing Europe/RCA Records Inc/BMG Entertainment International UK & Ireland Ltd. Master LH was a Genius, is a Genius and will still be a Genius 💕💕💕🔊🔊🔊🎵🎵🎵🔥🔥🔥 2020-12-17T20:13:10Z Comment by SaintMichael

Dug up my old CD collection from the cellar the other day just to look for this album and thank god I found it. Hooked up my old CD player and it still plays. Happy to see it on Soundcloud so I can stream it. Legendary. 2022-08-02T20:44:01Z Comment by Jin Seok Kim I grew up - how do you call it - a megafan of The Prodigy. They were it for me, alongside the Bros. Ultramagnetic MC's 'Give The Drummer Some'. Published by Next Plateau Music (ASCAP)/Ultramagnetic Music (ASCAP). (P) 1988 Next Plateau Entertainment. Used by permission of Roadrunner Records. Simon Harris " Different Screams" (vocals) from BB&S Vol. 1 (1987) taken from Syl Johnson, " Different Strokes" (uncredited) (1967) I guess this mix album does underline the sort of love I have for that type of music more than a Prodigy release would,” he shrugs. “I think the record kind of speaks for itself, and people will get their own ideas of what it is that I am about, and it should finally make people also understand what the band is about.Can't wait when he will give us Warriors.....us Ants what need.....hope 2021 will he Release the Dirtchamber Sessions Part 2 and i hope Maxim and he would make a new The Prodigy LP with Leeroy Thornhill and let Keef live forever 💕💕💕😥 2020-12-17T20:17:06Z Comment by Beatfanatic83 Diehl, Matt (5 June 2001). "The Prodigy - Prodigy Present the Dirtchamber Sessions Volume One". Rolling Stone . Retrieved 19 November 2023. Music For The Jilted Generation with its claustrophobic slap and morphic sting soared into the number one slot on the British album charts, spurred a Mercury Award nomination and went on to sell over 1 million copies globally. It was fractious, bombastic and blatant. Dark break beats clashed with maniacal acrylic guitars and gave Howlett kudos that he never managed to live down. Noheden, Kristoffer (22 May 1999). "THE PRODIGY - THE DIRTCHAMBER SESSIONS VOLUME ONE". Release Magazine . Retrieved 19 November 2023. No timeout, lots of passion, welcome to the world of sonic collages. More than a history course, this mix contributed to expand the musical culture of lots of people at the time, suggesting that beyond the basics of all genres (tempo, pace, melody, instrument, sampling...), one could make the connection between all these parameters.

LL Cool J 'Get Down'. Published by Island Music Ltd. (P) 1987 Def Jam Recordings. Licensed courtesy of Polygram Licensing Division. Available on the Def Jam album 'Bigger And Deffer' (5273532). Last copies was overpriced by the closing label and sold out in August 2000. Never re-released in Poland. King '900 Number'. Published by Street Tuff Tunes. (P) 1992 Tuff City Records. (Licensed courtesy of Tuff City Records). The Charlatans 'How High'. Published by Warner Chappell Music Limited. (P) 1997 Beggars Banquet Records Limited. Licensed courtesy of Beggars Banquet Records/Universal Music.You need to buy this CD if you're a hardcore, real Prodigy fan. If you're the kind of person who thinks "Full Throttle" or "One Love" are musical genius, buy this immediately and listen close. You will absolutely be thankful you did. D.S.T. 'The Home Of Hip Hop'. Published by D Street Music (BMI)/Chu Teh Music (BMI). (P) 1985 Celluloid Inc. Licensed courtesy of Lendway.

Review: The Prodigy - The Dirtchamber Sessions: Volume One". Sputnikmusic. 29 January 2010 . Retrieved 8 July 2015. The KLF 'What Time Is Love'. Published by E.G. Music/Zoo-Warner Chappell Music. (P) 1988 KLF Communications. (Licensed courtesy of KLF Communications Ltd).

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Simon Harris "#1 Stab" from BB&S Vol. 3 (1992) (Trumpet sample) taken from All The People featuring Robert Moore, " Cramp Your Style"(1972) Coldcut, " Beats and Pieces" ('Honey i have rhythms i haven't used yet'/ Laugh sample Outro) (1986) Truth be told, I didn't expect it to be this great. And I'm an absolute megafan, probably in the top Prodigy fans alive. Sampling the Sex Pistols, dissing koalas and never taking your foot off the gas: we crank the froth-o-meter up to full with The Prodigy’s Liam Howlett Uptown 'Dope On Plastic'. Published by T-Boy Music (ASCAP)/T-Girl Music (BMI). (P) 1989 Tommy Boy Music.

If you're looking for "Fat of the Land" style big-beat electronica, you won't find it here. What you will find is a gold mine of Howlett's influences from the '70s to the '90s, stuff that goes much deeper than "Firestarter". The inspirations: Double Dee And Steinski, Coldcut, Big Apple Productions, Flash On The Wheels Of Steel, DJ Cheese, Cash Money, Cutmaster Swift, Mixmaster Mike, Scratch Piklz and the Artists on this record.I don’t think we’ve ever been accused of that. I think we’ve always had our own style, and the thing I’m most proud of with this band is kind of, there seems to be this kind of path that most bands seem to follow. It’s a sort of road through doing certain interviews, going on TV, and it’s a sort of road to stardom, or whatever stardom is, and we haven’t followed any of those. We’ve done our own thing and chose our own path, and that’s something we’re most proud of …” James Brown, " Talkin' Loud and Sayin' Nothing" (Keep on singin', keep on singin'! sample) (uncredited) (1972) In October 1995, Liam Howlett and the rest of the Prodigy saw Oasis play Earl's Court in London. At the after-show party, Liam Gallagher approached the band, announced their ferocious live show was too much for his delicate sensibilities then declared his love for their single, 'Poison'. Which he then began to sing - very badly. Moments later, Noel Gallagher took Howlett aside and whispered his belief that the Prodigy kingpin was the only credible songwriter in dance music. As Howlett later admitted, the compliment was appreciated. Renegade Soundwave 'Ozone Breakdown'. Published by Mute Songs Ltd. (P) 1988 Mute Records Limited. Licensed courtesy of Mute Records Ltd. Taken from the Mute album 'RSW 1987-1995'.