Image size (pixels) [3:2]: 35mm full frame L: 4240 x 2832 (12M), M: 2768 x 1848 (5.1M), S: 2128 x 1416 (3.0M) APS-C L: 2768 x 1848 (5.1M), M: 2128 x 1416 (3.0M), S: 1376 x 920 (1.3M) The Sony A7S III impressed us with its ability to handle the heat generated from recording long 4K clips –in fact, we were able to shoot continuous 4K video for well in excess of 30 minutes and didn't once see an over-heating warning.

With the addition of the log shooting mode, the picture profiles were reviewed and the gamma setting S-Log2 is no longer included. After the update, you will need to use the gamma setting S-Log3. And let’s not forget that video-focused cameras like the ZV-E1 can also shoot some of the cleanest-looking still images around (12MP at up to 10fps here), with no limit on sequence length. I tested the camera with Pete, a filmmaking colleague who uses the Sony FX3 and FX6 cinema cameras every day for video commissions, and we’ll share our experience and thoughts on the ZV-E1’s AI-powered features in depth in a separate article.As a result, MEGA O.I.S. produces beautiful pictures, free from blur and with no deterioration of image quality, at slower shutter speeds of more than 3 steps compared to other conventional models which do not have O.I.S. You can now shoot stunningly clear pictures with ease, even in situations that require slow shutter speeds, such as indoor or night time portrait shots, or close-up shots of a delicate flower using macro mode.

Another useful, filmmaker-friendly design feature on the FX3 are its thread holes, which effectively mean it has a built-in cage to help you turn it into a mobile video rig. i Sony internal tests. USB power supply, XAVC S-I (All-I), 4K 60p 10-bit 4:2:2, 25 deg C (ambient, camera temperature when recording started), Auto power off temperature: High, Cooing fan: Auto. The duration will vary depending on the shooting conditions. The maximum continuous recording time for a single movie shooting session is approximately 13 hours (a product specification limit) Allows you to display a function menu by swiping upward on the monitor on the shooting standby screen. A network connection, via Wi-Fi® or wired via a USB Type-C connector, provides support for remote control from smartphones or tablets, with either NFC one-touch or manual pairing. Remote shooting can be controlled from a PC with Sony’s Imaging Edge Desktop™ application, or from a mobile device with Imaging Edge Mobile™. And captured still and movie files can be transferred using high-speed FTP. Remote preview, shooting, and streamingSony’s FX3 Cinema Line camera brings the visions of passionate content creators to life. Cinematic expression is matched with reliable performance and streamlined operation to serve the needs of today’s creative community. Compact and lightweight, it’s easy to carry and handle. Full-frame image capture even in dim light Creators need more than just refined features and performance; they also need reliability and durability. The FX3 combines a fan for active cooling with effective heat dissipation resulting in uninterrupted 4K 60p recording without thermal shutdown. The newly developed fan provides high-efficiency cooling. Responding to requests from pro photographers and videographers, the menu structure has been designed to make moviemakers’ work more efficient. Menu tabs are on the left side of the display, while parameter groups and parameters related to the selected tab appear on the right. Up to three levels can be displayed together, making the menu structure more clearly visible. Touch-responsive menu operations enable fast, intuitive control. Shot of jeep driving in muddy conditions being filmed with camera mounted on gimbal rig on following vehicle

The Sony FX3 Cinema camera brings the visions of passionate content creators to life. Cinematic expression is matched with reliable performance, streamlined operation and multiple pro video functions to serve the needs of today's creative community. Compact and lightweight, it's easy to carry and handle. In addition to six customizable buttons, frequently used controls are within easy one-handed reach, leaving your other hand free for lens operation or balance. And usability is enhanced by multiple screw holes on the body and handle, allowing accessories to be attached directly. Uninterrupted 4K/60p recording S-Cinetone color, developed for Sony’s acclaimed FX9, is the default look on the FX3 for cinematic expression. It’s precisely tuned to meet the requirements of today’s content creators, with rich color and natural skin tones that match other Cinema Line cameras without grading. 4K 120fps with every frame in focus The FX3’s full-frame image sensor is coupled with innovative light-gathering techniques to let you capture clear and usable images even in dim light. The standard ISO sensitivity of 80–102400 for movies is expandable all the way up to 409600. Wide dynamic range, wider creative expression Cameras – LCD screen is heavily worn either by de-lamination or has scratches to it. Rubber grips are starting to come away from the body.You will Need a dedicated adapter cable, which is sold separately, to connect to the timecode source equipment. Precautions when updating from Ver.1.01 or earlier For more information read the comparison between the FX3 and a7S III and FX6 cameras in our blog review. Optional Accessories There’s a steady progression of capabilities here. The Sony A7S III offers Sony S-Log modes and HLG, but the FX3 adds in the S-Cinetone mode used throughout Sony’s Cinema Line cameras. The FX6 goes a step further, offering all these options plus the ability to use custom LUTs. 4. Resolution