When she asked him what was so unbelievable, he confessed that he’d helped another artist, naming Steve Ditko, create the character. And he told her what he’d contributed. https://www.theguardian.com/artanddesign/2015/mar/04/cult-of-the-spankers-pulp-fiction-times-square-smut

Hugo Paul was a pseudonym of Paul Hugo Little (born Paul Hugo Litwinsky). Little supposedly began writing soft-core porn when he was 48 using hundreds of pseudonyms... he is referred to as the man of 1000 pseudonyms. It is claimed that he wrote over 700 of these pulp fiction novels.Island of Captive Girls, Prison for Women, [1] :205 The Whip Artist, [1] :88 High Heels in the Heavens, Madam Adista, Dangerous Years [1] :90 Satin Satellite, [1] :103 Exotique magazine [1] :120–122 Seves quotes Ditko about the full-face mask: “I did it because it hid [Peter Parker’s] obviously boyish face. It would also add mystery to the character and allow the reader/viewer the opportunity to visualize, to ‘draw,’ his own preferred expression Peter Parker’s face and, perhaps, become the personality behind the mask.” Would it be fair to say from bizarre culture? Or, specifically, from Stanton since he had been creating hooded characters for almost as long as he had been a fetish artist?” report information) Script Riccardo Morrocchi; Claudine Vivaleros (traduzione) Pencils Gene Bilbrew Inks Gene Bilbrew Letters typeset

His text is accompanied throughout by lots and lots of illustrations, many in color, and Seves gives the histories of several of Stanton’s serials and tells their stories. The book is virtually an extensively annotated bibliography of Stanton’s life work. But it’s more than that. It’s also a detailed biography, a sketchy history of “the bizarre,” and an exhibition of Stanton’s ladies. Reproduction throughout is high quality. Of course, Gisele. You would hardly expect to see a smart maid mincing about in trousers, would you?"report information) Script Riccardo Morrocchi Pencils ? (photography) Inks ? (photography) Letters typeset Ditko’s material showed a total unawareness of sex while Stanton’s material conveyed a kooky preoccupation with it. Yet both shared the same ambition of make it as artists; and both, one might say, were earnest and obsessed.” Maybe it shoots from his wrist,” Stanton might have said, demonstrating a maneuver with his hand and fingers. Eric Stanton & the History of the Bizarre Underground by Richard Pérez Seves. Atglen, Schiffer Publishing, 2018. ISBN 978-0764355424 Island of Captive Girls, Prison for Women, [1] : 205 The Whip Artist, [1] : 88 High Heels in the Heavens, Madam Adista, Dangerous Years [1] : 90 Satin Satellite, [1] : 103 Exotique magazine [1] : 120–122