All of the best bass amps come in either a head or combo format, or in some cases both. A head requires an external speaker cab to get any sound from – this can be good and bad, depending on the situation. Obviously, it means there’s another thing to think about when you want to use the amp, but for playing shows, many bands will share a bass cab, meaning that sometimes, you only need to bring your head. Some venues might even have a house cab that you can use. Like the rest of the amps in the series, the best quality materials and workmanship are evident with the Orange Amplifiers Crush Bass 25W Bass Combo Amp. Although this amp is the smallest in the range, its features are impressive, especially the sweepable, semi-parametric Middle and Bass EQ. Founded in 1968, Orange amps have grown exponentially in popularity over the previous decades. With humble beginnings in a London store basement, the prodigy of Cliff Cooper is now a household name across the globe. They also pioneered the lunchbox amp head with the Tiny Terror – putting a powerful tube amp in an easy-to-transport chassis and changing the way gigging guitarists thought about their rig. Series

Having a built-in DI output on a bass amp is really helpful, particularly if your amp isn’t a mammoth, 800W+ powerhouse, as most venues will be able to take a signal out of your amplifier and plug it into their PA system, giving you bags of extra volume, which your amp couldn’t possibly manage on its own. The ability to do this may help you bridge the gap between playing smaller and medium-sized venues, without having to constantly look to upgrade to a more powerful amp. In my Orange Bass amp review and guide, you will find everything you need to know about this long-standing, British brand and hopefully find the right Orange amp for you. An effect loop can be beneficial for effects like delay and a digital reverb, but could be an unnecessary expense for things you may not use much. 4 Best Orange Bass Amps Orange Amplifiers Crush Bass 100W 1×15 Bass Combo Amp Conversely, if you’re looking for an amp to keep at home, then something with a lower wattage is going to be ideal. You won’t need tons of volume, and you don’t want to be paying for power that you don’t need. If it’s a solid state amp you’re looking at, then you can run a big, powerful amp at low volumes and it will still sound okay, but it’s worth thinking about the size and how much space it’s going to take up. Head or combo?First and foremost, we are guitar players, and we want other guitarists to find the right product for them. So we take into careful consideration everything from budget to feature set, ease of use and durability to come up with a list of what we can proudly say are the best bass amps on the market right now. And though transistor amps were starting to take over at the time, Cliff was insistent on making the best possible valve amp of the time. With the orange material used to cover the amps they became instantly recognisable and became an overnight success when the likes of Peter Green combined his Les Paul with the juicy goodness of an Orange amp. These were some of the most remarkable guitar sounds of the late sixties. First and foremost, we are musicians, and we want other players to find the right product for them. So we take into careful consideration everything from budget to feature set, ease of use and durability to come up with a list of what we can safely say are the best bass amps on the market right now. There isn’t a distortion circuit, but the boom is helped via the rear port, and it has the same replete with programmable midrange, EQ, and a chromatic tuner. Moreover, there isn’t an effects loop, but I presume this would be surplus to requirements given the size of the amp.

The Orange 25W Combo emits a focused, clean tone, and while it is unreasonable to expect an amp of this size to produce room-shaking lows, there is ample bass that results in a balanced, well-rounded sound. Pros The treble EQ provides up to 20dB of boost, while the middle and bass EQ controls offer 15dB. A parametric frequency sweep from 300Hz to 2.7kHz from the midrange EQ gives precise control of a remarkable range of valuable bass textures and tones. The Blend control lets you dial in bi-amped tones, with distorted grit omitted from the Gain control. The Terror series lives on in the Dark Terror and the Micro Terror and Micro Dark which are small, but powerful enough to take the roof off! Most gigging amps have a DI on board, so you can send your signal to the PA, but it’s still nice to have enough volume on tap to create some on-stage rumble.Orange Amps began in 1968 in a dingy basement shop in Old Compton Street in London, founded by Cliff Cooper who's still at the helm today.