There is an IMDB list that has a plethora of Emmanuelle derivatives: https://www.imdb.com/list/ls069765874/

Other related texts, such as the Emmanuelle Arsan novels, the Emmanuelle erotic comics by Guido Crepax, and the like, are also of interest. Emmanuelle 5 (1987), directed by Walerian Borowczyk, was released in two versions: one with softcore love scenes, and a French home video version that extended several scenes with hardcore sex directed by Borowczyk (apparently [ citation needed] Borowczyk said that he had not directed them). The scenes are the Love Express and dance studio segments, embellished with penetration, ejaculation and a woman urinating. This VHS version omits several minutes of footage seen in the public version (including dialogue and plot).The producer of another Arsan/Rollet-Andriane film Laure, Ovidio Assonitis, claimed that all books published under the pen name Emmanuelle Arsan were written by her husband Louis-Jacques Rollet-Andriane, rather than by Marayat. [1] Films [ edit ] This proposed collection of essays will strive to rectify this scholarship gap. This CFP seeks abstracts that analyze the films that make up the Emmanuelle legacy (see filmography below), with the aim to illustrate the various ways these movies are important, how they impacted both pop and film culture, and to illuminate subtexts and commentaries they impart. I thoroughly enjoyed this movie. Having said that I felt Holly Sampson was rather miscast as Emmanuelle. Traditionally this character is portrayed as a "love" goddess and somehow Holly Sampson fresh out of pron rang none of those bells for me. This was just a B movie however and so I happily forgave it it's acting/casting sins.

Las orgías inconfesables de Emmanuelle ( The Inconfessable Orgies of Emmanuelle) (1982), directed by Jesus Franco.

Emmanuelle originated as a pen name for Marayat Rollet-Andriane, a French-Thai actress who wrote a book in 1957 called The Joys of a Woman, which detailed the sexual exploits of a bored housewife. The first Emmanuelle film debuted in 1974 and starred Sylvia Kristel, who became synonymous with the role. The film embraced its X-rating and became a success, with an estimated audience of 300 million. It remains one of France's most successful films. Several sequels followed, with Kristel reprising her role. Unofficial productions, spinoffs, and a video game also emerged, capitalizing on the Emmanuelle craze. The explicit content in the films varied from softcore to full hardcore, though no penetration or oral sex made it to public versions.